Max Borenstein
The screenwriter who turned a lost astronaut's odyssey into a genre-defying animated odyssey.
Max Borenstein is the creator, executive producer, and primary writer behind Final Space, the 2D-animated sci-fi comedy series that premiered on Netflix in 2018. In the fan community, Borenstein is celebrated as the singular creative force who gave Final Space its distinctive voice: a show that treats its absurd premises with sincerity, lets its characters grieve and grow between jokes, and builds a sprawling interplanetary mythology across just two seasons. His writing background in big-budget spectacle clearly informs the show's sense of scale, while its heart and structure feel like a personal, intimate project.
- Role
- Creator / Executive Producer / Writer
- Medium
- 2D animated television series
- Platform
- Netflix
- Season 1 premiere
- 2018
- Season 2 premiere
- 2020
- Genre
- Sci-fi comedy / Space opera
Lore & Background
In the world of Final Space, Borenstein built a universe that feels simultaneously familiar and deeply strange. The planet where Gary crash-lands is a patchwork of cultures, governments, and mythologies that coexist in a state of uneasy, often comic equilibrium. The visual language—hand-drawn characters with expressive, slightly exaggerated features set against painterly backdrops—gives the world a storybook quality that belies the show's willingness to tackle grief, identity, and the meaning of home. Borenstein's storytelling approach, as fans have come to recognize, treats every subplot as a potential emotional payload. A running gag about a bureaucratic cop or a one-episode alien encounter can quietly recontextualize a character's entire arc by the finale. The show's mythology, involving ancient civilizations, cosmic threats, and the question of what it means to be 'lost,' is layered enough that rewatching reveals connections the first viewing misses. What sets Borenstein's Final Space apart in the animated sci-fi landscape is its tonal honesty. The comedy never papers over the pain; the drama never loses its wit. Characters like Gary, Kory, and Captain Holt are allowed to be simultaneously ridiculous and profoundly human, and the show trusts its audience to hold both truths at once.
In Their Own Story
The docking bay on the outer rim of the planet smelled of ozone and burnt coffee. Gary sat on an overturned crate, boots dangling, staring at the hull of his ship where the navigation console had been. Three years of silence out there, and now he was supposed to just... go home? Kory leaned against the bulkhead, arms crossed, her expression doing that thing where she pretended she wasn't worried. Captain Holt stood at the far end, radio crackling with some interdepartmental dispute about parking permits on the moon. None of them said the thing that was hanging in the air. The ship was ready. They all knew that. And none of them were ready for it to matter.
Reader's Guide
Borenstein came to Final Space from a career defined by massive live-action set pieces, and that sensibility is visible in the show's structure: each season builds toward a cosmic-scale reveal while grounding everything in small, character-level moments. In early development, the show reportedly leaned harder into pure comedy before finding its balance with genuine emotional stakes, a shift fans can trace between the pilot and later episodes of Season 1. The 2D animation style was a deliberate choice to give the characters a hand-drawn, expressive quality that differentiates Final Space from the 3D-heavy animated sci-fi of the era. Borenstein has spoken in general terms about wanting the show to feel like a 'character study set in space' rather than a spectacle piece, which explains why the animation budget prioritizes facial performance and timing over environmental detail. Between Season 1 and Season 2, the show's mythology expanded considerably, introducing deeper lore about the ancient civilizations and the nature of the cosmic threat. The pacing in Season 2 is noticeably more serialized, with fewer standalone episodes and more through-line plot, suggesting Borenstein was working toward a definitive conclusion. The show's two-season run on Netflix left several threads intentionally open, a point of ongoing fan discussion and speculation. Borenstein's writing credits on the show overlap with his broader career in genre filmmaking, and fans often note the thematic echoes: the tension between individual identity and larger systems, the way spectacle serves character rather than the reverse.
Did You Know?
- Final Space's 2D animation style was a conscious creative choice to prioritize character expressiveness and a storybook aesthetic over the 3D animation standard common in streaming sci-fi at the time.
- The show's central premise—an astronaut lost in space for years who crash-lands on an alien planet and must decide whether to go home—serves as a sustained metaphor for identity and belonging that Borenstein weaves throu
- Despite its comedic tone, Final Space's two-season arc on Netflix deliberately leaves its cosmic mythology unresolved, sparking extensive fan theorizing about the show's intended ending.
More in Behind the Scenes
Elsewhere in the Final Space universe
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